For anyone who has spent years renting, confronted by the same landlord-approved beige walls and yearning for adding some actual personality to their home, Pantone's new Colour of the Year might seem like a disappointing choice.
This year, the renowned color company has selected white as its annual hue.
To be precise, the shade is called Cloud Dancer – a white characterized as "lofty" and "airy" which "serves as a emblem of calming influence in a society re-learning the importance of introspection".
It marks the first time a pure white has been picked as the Colour of the Year, and it has generated significant controversy.
According to Pantone, Cloud Dancer "represents more than a hue, it's a mindset" and embodies a shared urge to slow down, recalibrate and seek peace after years of aesthetic chaos.
But some detractors have labelled the decision as "insensitive", contending that championing minimalist and pristine white spaces can feel far removed from the more compact, messier homes most people call home.
Some observers contend that positioning white as aspirational risks racial undertones, landing uncomfortably during continuing political and cultural dialogues about race and representation.
Interior expert Chris Beaumont says the criticism goes beyond aesthetics, stating that white carries cultural undertones and is seldom a neutral choice.
"White is a signal," he says, influenced by a ten-year period of sparse star homes – most famously Kim Kardashian's stripped-back home – that came to symbolize "affluence, control and removal from chaos".
He clarifies that white is "not intended to inspire but being careful not to cause upset", with Cloud Dancer representing "restraint, moral minimalism and the idea that neutrality signifies virtue".
Beaumont references the pandemic as a pivotal moment in how people interact with their homes.
"Suddenly they became our workspaces, refuges and sources of stability," he says, stating that in this context, pushing the Colour of the Year towards "more visual emptiness seems rather tone-deaf".
Instead of providing calm, he argues white now risks heightening "a sense of bleakness", particularly when paired with harsh, sterile lighting.
An interior designer, a UK-based interior designer, agrees and says Cloud Dancer "doesn't really read as a colour" and is "firmly in the bin for me".
While it may work in highly minimal or architectural spaces, she says pure white shades seldom create calm in real homes.
"What looks serene in a styled shoot can readily feel sterile at home," she explains.
"White can feel stark and unforgiving and you wouldn't wish your home to give hospital vibes."
She adds that "homes should spark joy and feel inviting and lived-in, and this hue feels quite removed from that."
The critic hopes that homeowners will disregard the Pantone Colour of the Year in preference for "unabashed dopamine décor", using colour to express personality.
The vice president of the Pantone Colour Institute stated that people "bring different feelings" to the significance of the colour, but it was chosen as it "integrates perfectly with everything around it, providing a sophisticated impartiality that seems deliberate and versatile".
Beginning in 2000, Pantone's Colour of the Year has evolved into a significant industry signal.
Past choices have included the optimism of Living Coral, the calm confidence of a deep blue, the vibrancy of Viva Magenta, and more recently more gentle, feeling-based tones like a soft peach.
These colours don't just live on trend forecasts - they show up in fashion collections, beauty launches, home decor, packaging and even technology, shaping how products are marketed and how consumers imagine the year ahead.
Victoria Robinson, says Cloud Dancer is a "elegant choice" and while it may appear basic, "this specific hue feels soft and refined rather than stark".
Contrary to those who say the colour is dull, the expert sees it as "adaptable" and says it's best used in "bedrooms and communal spaces where you want a serene, restful ambiance".
"Should you prefer not to redecorate, you can introduce the colour into a room with pillows, blankets and curtains."
Design expert James Mellan-Matulewicz says although he was surprised that Pantone's selection this year was "fundamentally the absence of colour", it is a bit like vanilla ice cream, in that "everyone likes it but it's nobody's favourite".
He can see its merits, noting that white can work particularly well as a backdrop for design features like panelling and curved entries which is a "rising style in modern homes".
In apparel, white has long been a staple rather than a statement and as a Colour of the Year it presents a unique test to designers more familiar with bold shades.
Fashion consultant A styling expert says elevating white seems "not focused on newness and more about intention", reflecting a movement towards refinement after years of fad saturation.
"The color white compels designers and those who wear it alike to concentrate on form, proportion and craftsmanship, there's really no room for error," she explains.
But she continues that it also holds assumptions around body confidence, way of life and privilege, saying: "If white is viewed as something only a narrow group of people can pull off, it becomes exclusionary."
She says the industry is already cognizant of the problematic connotations associated with celebrating white as an ideal, especially during ongoing discussions about representation and approachability, and the true challenge will be whether "companies engage with that complexity authentically, or simply glamorize the colour".
Style consultant Katie Malik admits the choice initially surprised her, given Pantone's track record of bold colours, but says it reflects a authentic change and aligns with a broader sentiment of "quiet luxury
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James Shepherd
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James Shepherd
James Shepherd
James Shepherd