A group of six quirky but brave youngsters encounter the way of a vast and terrible supernatural evil that has invaded our existence from the deepest abyss of darkness. They are compelled to spend their lifetimes confronting it, facing terror upon terror in the struggle.
This outlines the narrative, in essence, of the master of horror’s novel It (his best; no arguments). It parallels of the celebrated author’s heir Joe Hill’s latest chilling tome, in which six friends call forth the ancient, deeply sinister serpent the Dragon King from the Long Dark to aid them in overcoming some antagonists. Unsurprisingly, their supernatural ritual goes awry.
Joseph Hillström King began his writing journey striving diligently to avoid any connection from his famous father, publishing under the pen name he maintains to this day and eschewing in-person meetings with his agent (he bears a strong similarity to his father). But in this latest novel, he leans into it. There are lines that consciously reflect some of the senior author’s well-known (that classic opening line); a moment that evokes a recurring theme in King’s works (a battle of wits). In this epic story, Joe Hill takes pleasure in his lineage, and readers share in the joy.
Focusing on the companions: most are scholars at the fictional this academic setting in the New England state. We have Arthur, academic and gifted, solving historical enigmas in his leisure hours; another key figure, affluent, astute, and inclined to bulldoze obstacles in his path; twins Donna and Donovan; the attractive Allie herself. And there’s Gwen, who doesn’t study with them, but becomes a key part of their group as they toy, partly convinced, somewhat doubtful, in the occult.
The protagonist finds himself, as a result of external pressures, forced into stealing prized manuscripts from his cherished academic collection by a group of neighborhood thugs. This devastates his scholarly soul, especially when he’s compelled to seize the institution’s prized and unsettling publication: the journal of occultist this enigmatic character (executed “for dealing with infernal entities in 1703”; the binding is fashioned from his hide). The intrepid group read the journal, realize they are able to call forth what the occultist details as a clever snake to help Arthur out with his blackmail problem – and devote the remaining story reaping the consequences. King Sorrow will undoubtedly remove those problematic neighborhood criminals, but they must select a different victim every twelve months or fall prey to the beast. As Arthur later puts it: “You plant seeds of destruction, all you get is more dragons.”
Spanning forty years, Joe Hill transitions with natural fluency between genres: as the companions attempt to deal with the situation they find themselves in by, variously, picking people who are obviously evil to sacrifice, or searching for methods to slay the beast themselves, we go from thriller to shadowy tale, covert operations to love story to terror. A standout transition was to a heroic journey, deep in the caves below Cornwall, a part infused with the Lord of the Rings author that was gloriously terrifying.
We encounter trolls – bridge-dwelling ones and internet antagonists, truly terrifying and superbly depicted. The story includes mystic weapons and deceptions, breath-taking moments of valor and scenes of dreadful evil, both mortal and supernatural. This is a remarkable achievement: a frightening tale that is primarily a tribute to the imagination, and to love and friendship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the companions sit around the table, preparing to summon their beast into being with the strength of their collective will.
As Hill puts it in his introductory quote: “Here be dragons”. Don’t miss them.
A seasoned business strategist with over a decade of experience in digital marketing and corporate growth initiatives.
James Shepherd
James Shepherd
James Shepherd
James Shepherd
James Shepherd